Mr Lawrence approached the figure of the young lady sobbing against the bulkhead, and placed his hand lightly upon her shoulder. She shook him off with a passionate convulsion of her whole form, which was full of disgust, aversion, and contemptuous wrath. It was a masterpiece of movement, eloquent in the highest possible degree of what she chose him to believe was in her mind. Her mother, Mrs Kitty O'Hara, had been famous for her artful strokes in this way. No actress surpassed her, and few were the equals of Mrs O'Hara in the remarkable gift of personification of passion by action.
p77, Mr. Keeler looked surprised; so did Billy's class-mates; so did all members of all the classes and the teachers. So did Billy himself. The drowsy hum of reciting voices died suddenly and a great stillness succeeded it. It seemed to Billy that he was standing alone on top of a flimsy scaffold, hundreds of feet in the air, waiting for Mr. Keeler, high executioner, to spring the trap-door that would launch him into oblivion.
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p77
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p77 Mr Lawrence's face lighted up, but the expression was curious; it was composite; it seemed to be lacking in the elementary quality[Pg 58] of exultation or rejoicing which naturally would have been sought for or expected..
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